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“I want the things that I’m doing to have amazing impact on people’s lives,” says Molefi K. Asante Jr. ’04. “I don’t want there to be negative associations in people’s minds about African Americans.”

  • The McDonogh Report celebrates the contributions of African Americans to the Lafayette community.

Asante is currently teaching creative writing, screenwriting, and African American cinema at Morgan State University following the wrap-up of his latest film project, a documentary on the history and meaning of Kwanzaa narrated by and co-written with Maya Angelou.

“He represents the blend of the hip-hop generation combined with a tremendous understanding of the black diaspora,” says Dolan Hubbard, chair of English and language arts at Morgan State. “He stands on top of the mountain as sign and symbol of what students can accomplish.”

Asante’s first film, 500 Years Later, which he wrote and produced, “explores the collective atrocities that uprooted Africans from their culture and homeland, and scattered them into the vehement winds of the New World, 500 years ago.” Screened across the globe, the film spans 25 countries and includes interviews with Paul Robeson Jr., Maulana Karenga, Desmond Tutu, and others. It received the Best Documentary award at the 2005 Pan African Film & Arts Festival, was awarded best film in the Black Berlin International Cinema competition, won the international documentary prize at the Harlem International Film Festival, and earned recognition as best documentary at the Bridgetown Film Festival in Barbados.

Ben Haaz ’03 is associate producer for 500 Years Later, which Asante screened at Lafayette last October during the second annual conference on Africa organized by ACACIA, Africans Creating African Consciousness and Interest Abroad.

“I’m so lucky to have done the interviews,” Asante says. “It’s so inspiring to watch the film and listen to the things people say, because they have so much wisdom and knowledge.”

Asante brought out his second collection of poems, Beautiful. And Ugly Too, to critical acclaim in 2005. Published by Africa World Press, it “is a thought-provoking journey down the lonely road of wisdom and whiplash,” says Los Angeles Times. “It penetrates, casting an unflinching eye on humanity through a historical kaleidoscope,” says The Philadelphia Inquirer, noting that Asante “boasts the kind of resume that would make a writer twice his age proud.”

“In my book, I refer to a poem in a book by Professor Lee Upton because she wrote a poem about the idea. These people at Lafayette live in me, through me, and with me every day. Professor Ian Smith is one of the people responsible for pushing me so hard as a writer. He said, ‘I’m not going to let you be some second-rate poet,’ and hopefully I’m not letting him down.”

His first collection of poems, Like Water Running Off My Back, received the Jean Corrie Prize from the American Academy of Poets for the title poem. Asante’s third book, Post Hip-Hop Generation: Redefining Young Black America, is forthcoming. His op-ed piece entitled “Enough disrespect: Return rap to its artistic roots” ran in USA Today and Black Enterprise, critiquing rap music as a “once-defiant message (that) has slowly deteriorated.”

At Lafayette, Asante and Haaz founded Focused Digizine, a quarterly DVD covering hip-hop culture. Since graduating with majors in Africana studies and English, Asante has also earned a master of fine arts degree in screenwriting from UCLA’s School of Film and Television. He’s the author of Time, a limited-edition book with art by Curlee Raven Holton, professor of art and director of the Experimental Printmaking Institute. He has been a featured poet on HBO’s “Def Poetry Jam” and has lectured and read his poetry in the United States, Europe, Africa, and the Caribbean.

More information is available at www.asante.info.

Categorized in: Alumni Profiles