The Grand Trio for Violin, Guitar and Cello had not been  performed for more than a century
When Jorge Torres found the piece tucked  away in the Library of Congress a number of years ago, it hadn’t been  performed anywhere for a century or more. Torres, associate professor of  music, decided that it should be heard.
The piece is a classical period arrangement of Wolfgang Amadeus  Mozart’s Grand Trio, one of the six “Palatine” sonatas he wrote  while living in Paris in 1778. Mozart wrote the piece for violin and  piano. It was later arranged by French music publisher and guitarist  Pierre Jean Porro for guitar, violin, and cello in the early 19th  century. It is Porro’s trio arrangement that caught the attention of  Torres.
“After researching the piece, I realized that it–as a trio  arrangement for guitar, violin, and cello–had never been published  since Porro, and that the Library of Congress version was most likely  the only extant version of this arrangement. This means that there have  been few, if any, performances of the piece since that period, and  certainly none in the last century,” he says.
Clear Note Publications published Torres’ edited version this year,  making it available for other musicians to perform.
Torres first performed the piece with violinist Stephani Bell,  director of orchestra and string ensemble, and cellist David Moulton at  the Williams Center for the Arts in 2005.  It was performed again at  the recent music faculty recital with Bell and cellist Betty Tang,  part-time music instructor. Torres played guitar in both performances.   Later this year, he will perform the trio at a meeting of the College  Music Society.
This isn’t the first piece of music by a master composer that Torres  has published. In 2007, he and flutist Rebecca Stuhr published an  arrangement for guitar and flute of Six Gnossiennes by French  composer Erik Satie. The publication by the Trillenium Music Company is  unique because all six pieces have never been transcribed and published  as a set for flute and guitar.
Torres’ current research focuses on editing and compiling The  Greenwood Encyclopedia of Latin American Popular Music. He has  enlisted the help of a number of students in the project including music  and philosophy graduate Ray Epstein ’09 and English major Caitlin Lowery ’11 (Aldan, Pa.).